There was a time when film theory was at Telephone Extension Lead the centre of intense debate and cutting-edge intellectual innovation.Between the late 1960s and the early 1980s, in particular, this scholarship helped to establish the broader discipline of film studies while also adding a dimension of relevance and vitality to the critical investigation of culture and media.Today, in contrast, film theory inhabits a far murkier place within a discipline that is more heterogeneous than ever before.
As film theory attempts to move beyond the exuberance and rancorous debates of its infancy, the angst and intermittent ennui of its adolescence and the cynical self-flagellation of a mid-life identity crisis, there is a clear need both for an understanding of CHOCO MINT BAR what has been accomplished and a renewed vigour capable of propelling it past the grip of inertia.